The Fast and the Furious: Tokyo Drift




 The Fast & The Furious: Tokyo Drift

Any fans of this instalment brace yourselves. I’m going to diss this flick, but just a little. Seriously, why take the franchise to Japan, even leave Paul Walker out of it and have one of your main actors be Lil Bow Wow? The series wasn’t looking good at this stage, but I suppose the filmmakers were looking to widen the fan base. I deliberately missed this one at the movies, but gave it a shot on DVD. Okay, complaint over now time for the review.

High school student Sean (Lucas Black) is out of control. In a drag race he takes part in against the guy-who-played-the-eldest-son from “Home Improvement”, he stuffs up and faces the law. Instead of jail, he’s shipped off to Japan to live with his dad, a Naval Officer stationed in Tokyo. The old man’s rules are simple; go to school, come home, stay out trouble – no exceptions! Sean goes to school and quickly befriends Twinkie (Bow Wow) but it’s not long before Sean finds himself in trouble again.

Being exposed to the Tokyo illegal street racing scene by Twinkie, Sean discovers “drifting”; a sleek, smooth driving move in which specially modified cars race through car parks, missing walls and barriers by mere inches. Thinking he’s Hot Shit, Sean gives it a go and realises how far removed from his own country and style of driving he really is, and wrecks the car loaned to him by local racer Han (Sung Kang). After that mistake, Sean is kept on a short leash by Han and his mentor Takashi, who has links to the Yakuza. But their watchful eye over him isn’t all bad, as it lets Sean get closer to Takashi’s hot girlfriend and quickly ascends him up the social ladder of Tokyo’s cool, sexy youth.

With the distraction of a very good looking girl, the novelty of being a fish out of water, as well an insatiable appetite for adrenaline and trouble, Sean soon finds himself in too deep with the drifting scene and the associated crime that surrounds it.

I often wonder why certain franchises go in completely different directions mid-way? It happened with the “Halloween” franchise, where part 3 completely ignored the plot of Michael Myers, and the results were disastrous. By this third instalment, the Fast & Furious looked certain to be on a very quick decline. When Vin Diesel declined to return for part two, leaving it to Paul Walker to carry the film, who then wasn’t invited back for this one, the original die-hard fans almost gave up hope. Saying that though, the film wasn’t terrible. The drifting scenes were cool to watch, and I’ll admit I found the Tokyo setting somewhat interesting.

The character of Han saved Tokyo Drift, acting as the emotional arc for the entire film. Despite the way he exited this film, he would appear in later instalments of the series, creating an interesting link between this third film and the later entries, which although were filmed years after and used more advanced cars and technology, actually took place before the events of Tokyo Drift. This instalment also launched the career of Justin Lin who would be the series biggest contributor to date, directing FF 4, 5 and the upcoming 6.

Aside from its many flaws, this instalment redeemed itself right at the very end. Sean is now the Drift King of Tokyo. Twinkie appears, telling him a guy wants to a race. A guy who knows Han. Sean takes the offer, and pulls his vehicle up alongside an American muscle car. The driver says “I’ve got nothing but time” and it’s revealed this mysterious driver is Dom Toretto.


Audiences were surprised and asking if this could this mean a return to the series for its original star, Vin Diesel? That’s what most were hoping for, and our wishes were granted three years later…

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